47 F
Detroit
Friday, October 9, 2026
Home Blog Page 24

Race War: A Look at Critical Race Theory

Critical race theory is an academic movement that has recently gained widespread attention because of its framing by some Republicans and conservative groups in restricting the teaching of America’s past and present. Though, the principles of critical race theory are not new. It was first explored in academia by the late professor Derrick Bell at Harvard University in the 1980s as a way of understanding the correlation between race and the United States legal system. It later evolved in response to critical legal studies. Over time, the movement grew among legal scholars, mostly of color, at law schools across the country. Kimberlé Crenshaw is a pioneering scholar and law professor at the UCLA School of Law and Columbia Law whose work has been foundational in critical race theory. During an interview with Jason Carroll, a CNN national correspondent, she explained it in simple terms. 

“Critical race theory just says ‘let’s pay attention to what has happened in this country and how what has happened in the country is continuing to create differential outcomes so we can become that country that we say we are.’ So critical race theory is not anti-patriotic. In fact, it is more patriotic than those who are opposed to it because we believe in the 13th, and the 14th and the 15th amendments. We believe in the promises of equality, and we know we can’t get there if we can’t confront and talk honestly about inequality.”

Opponents of critical race theory are using it as a weapon, waging war against its tenets. K-12 classrooms across the nation are the unfortunate battlegrounds. One of the early instigators for banning critical race theory was former President Donald Trump. During his speech at the White House Conference on American History in September 2020 he said, “Our mission is to defend the legacy of America’s founding, the virtue of America’s heroes and the nobility of the American character. We must clear away the twisted web of lies in our schools and classrooms and teach our children the magnificent truth about our country.” He continued: “Students in our universities are inundated with critical race theory. This is a Marxist doctrine holding that America is a wicked and racist nation, that even young children are complicit in oppression and that our entire society must be radically transformed. Critical race theory is being forced into our children’s schools, it’s being imposed into workplace trainings and it’s being deployed to rip apart friends, neighbors and families.”

That same month, Trump signed an executive order restricting diversity training by government agencies, which was later rescinded by President Joe Biden. On the school front, GOP-led states began to roll out bills restricting how educators can discuss racism. In an Education Week analysis, 26 states have introduced bills on banning teachings rooted in critical race theory. Ten states, including Georgia, Rhode Island, Louisiana, Iowa, Missouri, West Virginia and New Hampshire, have enacted bans through legislation or other avenues. These efforts are misguided, and largely unfounded and unwarranted. While critical race theory is a worthy approach to examining the systems that create and sustain inequality and systemic racism, it is not, at its core, being taught in K-12 schools. NBC News shared a survey conducted by the Association of American Educators that “suggests that the panicked dialogue on critical race theory made by lawmakers and the media does not reflect the reality of American classrooms.” Saida Grundy, assistant professor of sociology and African American studies at Boston University and author of the upcoming book, Respectable: Politics and Paradox in the Making of the Morehouse Man shared the sentiments evidenced in the survey. 

“Actual critical race theory, in the way that Derrick Bell and Kimberlé Crenshaw are teaching law students is not happening in anyone’s K-12 school,” she said. “But what we are really talking about is a way of talking about U.S. history and a way of talking about U.S. social problems in which the center of that narrative is not a white-dominate narrative. They really just don’t want a demythologizing of America.” 

Detroit educator Dr. Curtis Lewis is known for his dedication to building culturally relevant learning communities for students of color. He established the Black Male Educators Alliance of Michigan to dismantle the institutional impediments to diversity with the educational profession and to improve the educational experiences of urban youth. Lewis says that this recent opposition to critical race theory is an example of people intentionally using scare tactics to demonize and deepen the racial divide, which couldn’t be further from the truth. “Teaching critical race theory in K-12 schools has never been the intention in the first place,” says Lewis. “Teaching students the accurate history of this country – its good, bad, and ugly, and engaging school leaders, teachers and students in culturally responsive and restorative practices that engage our students in deeper learning – leading to independent learners is what this country needs if we plan to be competitive at the global level.”

Lewis asserts that politicians have inappropriately hijacked critical race theory and its purpose and are turning it into a cultural war, not because they really care what schools teach but because they are focused on feeding into the souls of misinformed citizens that would rather keep the nation racially divided. An important fact about critical race theory, he notes, is that it “doesn’t teach folks to hate anyone, but instead understand the systems and policies that have marginalized, ostracized and excluded those from fully participating or reaping the full benefits of the intended policy or system.” He says, “Exposure to these things does not create hate. Instead it creates informed, empathetic folks who seek to dismantle those systems and policies that benefit a few, and create those systems and policies that benefit everyone.”

Grundy and Lewis agree that critical race theory is not what GOP leaders and the conservative groups are claiming it to be – it’s not a smokescreen to divisiveness. The true intent lies in the premise of providing an education that relays real and whole truths about our nation’s history, not one that has been romanticized by hiding facts. Grundy says, “Any inch of yardage gained by coming to a more accurate depiction of America’s founding and its 250 years of slavery is a great, great threat to (opponents) because the Neo-confederacy – which is the modern-day Republican party – have always seen schools, education as a battle ground for its propaganda.”

The 1619 Project, researched and curated by scholar Nikole Hannah-Jones for The New York Times Magazine in 2019, is an example of a full history lesson centered around the nation’s founding. It is a journalistic initiative aimed at reframing the country’s history by sharing stories of slavery and the contributions of Black Americans. She opens the initiative with an essay entitled, “Our Democracy’s Founding Ideals Were False When They Were Written. Black Americans Have Fought to Make Them True.”

In “Why We Published The 1619 Project,” Jake Silverstein, editor-in-chief of The New York Times Magazine, writes, “There is gruesome material in these stories, material that readers will find disturbing. That is, unfortunately, as it must be. American history cannot be told truthfully without a clear vision of how inhumane and immoral the treatment of Black Americans has been. By acknowledging this shameful history, by trying hard to understand its powerful influence on the present, perhaps we can prepare ourselves for a more just future.” 

The 1619 Project has received stark criticism by the drivers behind controlling the lessons taught in K-12 education. Donald Trump, at the White House Conference, said, “The left has warped, distorted and defiled the American story with deceptions, falsehoods and lies. There is no better example than the New York Times’ totally discredited 1619 Project. This project rewrites American history to teach our children that we were founded on
the principle of oppression, not freedom. Nothing could be further from the truth. America’s founding set in motion the unstoppable chain of events that abolished slavery, secured civil rights, defeated communism and fascism, and built the most fair, equal and prosperous nation in human history.”

In June, Gov. Ron DeSantis participated in the Florida Board of Education meeting where he said, “We have to do history that is factual, and if you look at the things that have grown out of critical race theory, it is much more about trying to craft narratives about history that are not grounded in facts.” He used The 1619 Project as an example of that narrative. That day, the Board of Education voted unanimously to prohibit the teaching of critical race theory and The 1619 Project. 

Also in June, President Joe Biden signed a proclamation making Juneteenth a national holiday.  In it, he refers to June 19, now known as Juneteenth Day of Observance as “a day in which we remember the moral stain and terrible toll of slavery on our country – what I’ve long called America’s original sin.” With the divisiveness about what and how children are taught, how do we teach them about Juneteenth? How do we create space for Black and non-Black children to understand the nation’s past grievances and have empathy for the impact the continued legacy of systemic racism, disenfranchisement and marginalization – often intentional by way of policy and disinvestment – has on large communities of people? In the world of diversity, equity and inclusion, the backbone of work advancing is the ability to understand one another, to see one another.  

Ultimately, it is our students who stand to lose the most; they are the true casualties in this controversy. They are our future leaders who will use the information they have learned in school to later make decisions that will affect people for generations to come. Lewis understands this in his work at the Black Male Educators Alliance of Michigan. He stresses that the work is too important. “We will not allow the current rhetoric to deter us from the work that we do,” he says. “We will spend time doing the work, liberating our schools and learners so that we can truly practice what it means to have life, liberty and the pursuit of happiness for all Americans.” 

KAYE BYRD IS A FREELANCE WRITER
FOCUSED ON SOCIAL ISSUES

ADVERTISEMENT

We can celebrate Sha’Carri Richardson and still hold her accountable

Photo Credit: Pedro Vit

Sha’Carri Richardson reminds me of Tiffany Richardson from Cycle 3 and 4 of “America’s Next Top Model” – we were all rooting for her, even when she didn’t live up to our expectations.

Sha’Carri placed last in the Prefontaine Classic earlier this month, losing to even more unbelievably fast sprinters from Jamaica. It is still a win for women of color, and Sha’Carri is still one of the fastest women in America — but off the track she has demonstrated questionable behavior that has made her a topic in many threads of the digital world. While some argue that the resulting backlash is justified, she is just one of many examples of how people can be at the top of their game but still a work in progress.

Sha’Carri initially won our hearts with the same lively personality that’s also put her in the hot seat. With a winning time of 10.86 seconds in the 100-meter final during the U.S. Track and Field Olympic Trials in June, she became a headline favorite. I was initially drawn to her hustle mentality and her deep love for her grandmother — she was fierce but relatable, with vibrant hair, eye-catching nails and long lashes. 

But not too long after that first moment in the public spotlight, she was disqualified from the 2021 Tokyo Olympics after failing her drug test due to marijuana use. The criticism started immediately and has continued through the present, with Sha’Carri adding more fuel to the fire with reactive comments regarding the Prefontaine Classic and shade towards the adored track and field legend, Allyson Felix.

During an appearance on “Jimmy Kimmel Live!,” Allyson Felix discussed her experience in Tokyo and new sneaker brand, Saysh. She then took the spotlight off of her and used her platform to recognize Sha’Carri.

“I know that she’s obviously been through so much and I hope that she’s just supported. I hope people rally around her,” Allyson Felix said during her interview. “Obviously, she has a great personality and she’s brought a lot of attention to the sport and I think she’ll be in the sport for a very long time,” she continued. “I think just more than anything, for all athletes, there’s so much that goes into it. Just give her the support that she needs.”

“Encouraging words on TV shows are just as real as well nothing at all,” Sha’Carri responded in a social media post, and Black Twitter was not here for it.

Sha’Carri’s reaction to Allyson Felix’s seemingly kind words again reminded me of Tiffany from ANTM. In fact, their similarities are uncanny. Despite many obstacles, Tiffany made it to a top TV series, and Sha’Carri did the same with the Olympic Trials. Tiffany was quick to emotionally respond, and Sha’Carri absolutely is. Tiffany received support from Tyra Banks, an iconic and well-respected figure in the Black community, but denounced it on national TV. Sha’Carri did the same with Allyson Felix on a public platform.

Despite her infamous cut from ANTM, however, Tyra Banks gave Tiffany a second chance by bringing her back on season 4. While she was eliminated that season too, Tiffany was a noticeably changed person who seemed to have matured and taken accountability for her actions.

If Tyra Banks didn’t give her another chance, would we have seen Tiffany’s growth? Would Tiffany have received another opportunity to redeem herself? As a community, is it even our responsibility to rally around those who need our support, or should we sit back and watch them unravel at the seams?

While some of these questions are subjective, what’s not subjective is the pressure Sha’Carri faces while navigating life and newfound media spotlight, not to mention other stresses we’re not privy to, which people handle differently. 

Despite her complexities and much-needed guidance, I’m still rooting for Sha’Carri. I hope she finds a mentor who encourages, supports and corrects her when she’s wrong, just like Tyra Banks did with Tiffany.

Sierra Allen is an Atlanta-based writer who considers herself a creative by nature and storyteller at heart. As a Black culture enthusiast, she writes with purpose and passion while highlighting local and national community-centered topics.

ADVERTISEMENT

Honoring Black sitcoms that portray self-made success

While there’s a myriad of classic Black TV shows, one of my favorites is “My Wife and Kids” — an American sitcom that premiered in 2001 and follows the life of an upper middle-class Black family in Stamford, Connecticut. From witty banter to comedic relief and relatable topics, Damon Wayans arguably co-created one of the best shows in Black culture. 

Before Hulu began streaming the series, I desperately searched high and low for a free link to watch it. With no luck, I was stuck with memories of late-night viewings and uncontrollable laughter. Now that it’s available, I’m reliving my childhood but also re-watching the series with a more mature lens. Aside from realizing Damon Wayans and Tisha Campbell are the perfect pair, one new aspect that I appreciate is the show’s depiction of a small Black-owned business. And not just any Black-owned business, but a successful one. 

As a continuation of #NationalBlackBusinessMonth, we wanted to highlight our favorite TV shows that not only make us laugh, but inspire us too.

“The Jeffersons,” 1975-1985

You’ve heard the intro song a thousand times. You’ve seen George Jefferson’s famous wrist-cocked walk even more — if not on your own time, then certainly on your grandparents’. With a total of 11 seasons, “The Jeffersons” exemplifies where hard work gets us — in a deluxe apartment in the sky. As the wealthy owner of a dry-cleaning franchise in New York City, George Jefferson becomes successful enough to move himself and wife Louise Jefferson, from a modest neighborhood in Queens to a posh apartment in East Manhattan. They even hire a Black maid named Florence Henderson, who’s best known for her humorous comebacks. In-between rounds of laughter, “The Jeffersons” ultimately portrays a Black family who fruitfully upgrades and bears the benefits of their labor.

“The Jamie Foxx Show,” 1996-2001

Not only does this show feature Jamie Foxx — one of the most skilled and, in my opinion, underrated talents in entertainment — it shows a different take on entrepreneurship. It’s not often that we see Black-owned hospitality services, but we get to see it while watching this series. After fleeing Texas, Jamie stays at his uncle’s Los Angeles-based hotel, with aspirations of becoming a musician in Hollywood. Over the years, his Uncle Junior hosts numerous guests and events, all while building his family’s fortune and being an inspiration to others.

“Sister, Sister,” 1994-1999

Our favorite twins, Tia and Tamara Mowry, always serve beauty and brains on the hit show “Sister, Sister.” Centered around two long-lost adopted twins who accidentally unite in a mall, this show features not one, but two successful Black businesses. Ray Campbell is the owner of an upscale limousine service while Lisa Landry heads her own clothing boutique. While these companies differ in style and service, the adopted parents built a life of their own and are the bridge to many opportunities for their children — a goal most parents and parents-to-be aspire to achieve.

“Living Single,” 1993-1998  

A personal favorite of mine, “Living Single” journeys through a group of five friends trying to find their way in the Big Apple. While every character holds a special place in my heart, Khadijah James gets the win from me — most likely because as a former magazine concentration major, I once had dreams of being the Black Carrie Bradshaw — or should I say, Khadijah James. As the owner, editor and publisher of Flavor Magazine, Khadijah highlights Black art, culture and talent and controls the narrative of her community. While she is never deemed wealthy, Khadijah embodies what it’s like to work with passion, purpose and drive and most importantly, for ourselves.

Even more…

Other honorable mentions include “Smart Guy,” “Moesha,” “The Wayans Bros.,” “That’s So Raven,” “Martin” and one of our favored animated series, “The Proud Family.” They all model Black business success in different ways, with “Smart Guy” following an owner of a roofing company; “Moesha” showing a Black-owned café; “The Wayans Bros.” highlighting a Black-owned diner and newspaper stand; “That’s So Raven” showcasing a Black-owned restaurant; “Martin” depicting a Black-owned radio station; and “The Proud Family” portraying a father who keeps hope alive despite his continuous snack-based business rejections.

Why is showing Black success in the media important? Because it’s a form of positive representation. As a powerful form of communication, media introduces new ideas, is oftentimes a source of inspiration and influences how we see ourselves. And although these TV shows are just hints of reality in fictitious plots, they can be the catalyst to real-life entrepreneurship. Most importantly, they can be the activator to feeling worthy and capable of achieving success on our own terms.

Sierra Allen is an Atlanta-based writer who considers herself a creative by nature and storyteller at heart. As a Black culture enthusiast, she writes with purpose and passion while highlighting local and national community-centered topics.

ADVERTISEMENT

Why buying Black should be a lifestyle, not just a hashtag

Photo by erik reardon on Unsplash

While the hashtag #SupportBlackBusinesses has recently taken storm in some corners of

Twitter and Instagram, this call to action isn’t new. Black economic power is deeply rooted in our history, so much so that it’s the fourth principle of the Afrocentric celebration Kwanzaa. Ujamaa, also known as “cooperative economics,” inspires the community to build and maintain stores, shops and other businesses while collectively profiting from them. One widely known example of this is Black Wall Street.

Before it was set aflame in the Tulsa race massacre of 1921, the Oklahoma city’s Black Wall Street was the epicenter of Black business and culture, formed on land purchased by wealthy Black landowner O.W. Gurley. The property Gurley named “Greenwood” later grew into a prosperous district with about 35 blocks humming with Black-owned restaurants, movie theaters, barber shops, pool halls, nightclubs, libraries and more. Gurley’s vision? To “create something for Black people by Black people,” according to Hannibal Johnson, author of ​​Black Wall Street: From Riot to Renaissance in Tulsa’s Historic Greenwood District. As the once-mecca of Black success, Gurley did just that. 

How do we as a community emulate the success of Black Wall Street? By supporting Black businesses. In honor of this August’s National Black Business Month, I’ve highlighted how we can do just that — all year round. 

Contributing at no cost

Contrary to popular belief, showing support isn’t just about a financial transaction. While shopping has the biggest impact on a brand’s success, there are other ways to do so for free. Simple acts like visiting their websites and signing up for newsletters help improve analytics, which can lead to higher Google search positioning and future advertisements.

Another way is by sharing social media content or shouting out a favorite Black-owned company on your page. Never underestimate the power of a repost. Believe it or not, sharing content helps increase the digital footprint, brand awareness and credibility of a company. 

Next are recommendations, ratings and reviews. As a consumer, how often do you read rates and reviews before purchasing a product or service? How often do you remember a company that’s recommended by a trusted friend? Word-of-mouth marketing and keyboard clicks go a long way at zero cost.

B* better have my money 

We’ve all heard of the friends-and-family discount before, and like most Black families I’ve been around and honorably inducted into, almost everyone is related somehow. From your grandma’s church sister to your mom’s high school friend to your dad’s Spades partner and on, being labeled as “family” is an honorable, yet easy title to acquire. It happened to me just a few months ago. After relocating to Atlanta from the Akron/Cleveland area, I ran across a Black-owned restaurant not too far from my home. While talking to the owners, I learned that they were from Cleveland and once lived close to my partner’s grandmother! That connection deemed us family and they started giving discounts until I finally refused — I realized being “family” only made it more important for me to fully support their business, at full price.

As entrepreneurs, it’s easy to give everyone a discount — and it’s even easier to accept that discount as customers. While this exchange may be in the heart of “looking out” for loved ones, the truth is, it hinders growth. If we can pay full price at big-box stores like Target and Walmart, we can pay full price for services and products in our community. 

Marketing mashups

I don’t know about you, but I love cute outings at even cuter spaces, pre-COVID at least. Some of the best events I’ve attended were held at Black companies that weren’t necessarily venues. I’ve gone to a book signing at a Black-owned coffee shop; a poetry slam at a Black-owned art space and had cooking lessons at a Black-owned winery. Each time, I was introduced to a company I never knew existed. After my time there, I frequented the spaces and recommended others to do the same. My point? Finding a Black-owned space for your next event — whether personal or for your business — means not only supporting them yourself, but introducing your attendees to a community space they might otherwise never come across.  

Buy Black today and tomorrow 

While living in luxury is a lifestyle, supporting Black businesses should be too. Not just during National Black Business month, not just during holidays, but every day. It’s also important to remember that Black businesses don’t only offer beauty and apparel, but provide any product or service you rely on. From Black chefs to Black manufacturers to Black marketers to Black medical personnel and on, our community has a host of talented people, and we should put their skills to use.

By recycling the Black dollar, we pour into our community in a myriad of ways. We foster job creation and employment, boost community morale and confidence, help close the racial wealth gap and, most importantly, build our own with our own by doing our own. In my humble opinion, there’s nothing more revolutionary than that.

Where to spend

It’s only right that I add my favorite platforms for finding Black-owned businesses. Enjoy. 

We Buy Black 

Eat Okra 

Black Nation 

Where You Came From

I Am Black Business 

Sierra Allen is an Atlanta-based writer who considers herself a creative by nature and storyteller at heart. As a Black culture enthusiast, she writes with purpose and passion while highlighting local and national community-centered topics.

ADVERTISEMENT

5 Valuable Lessons Black Athletes Taught us in the 2021 Tokyo Olympic Games

With a long history of being a stage for political demonstrations, the Olympics is no stranger to social activism. Despite the International Olympics Committee’s call for political neutrality, Black athletes have always used their power, presence and position to emphasize their stance on social issues; the most notable being American sprinters Tommie Smith and John Carlos, who gave the Black Power salute during the National Anthem in the 1968 Mexico City Games. By wearing black socks and no shoes on the podium, the pair also highlighted Black poverty, making their presence a decades-long conversation in athletic activism — but they were also sent home from the Olympics as punishment for flouting the IOC’s ban on protests. 

Just last month, the IOC relaxed rule 50 — a guideline that prohibits political, religious or racial propaganda — allowing more athletes to “express their views” under specific guidelines. In Tokyo, some athletes have done just that, while others taught us valuable lessons that are applicable to our own lives. 

Simone Biles 

American gymnast Simone Biles did what most of us need to do more often — put our mental health first. Despite her six-days-a-week training regimen, Biles withdrew from the women’s all-around gymnastics final after a medical evaluation determined she was unfit to compete at the time. While some onlookers responded negatively, others supported her decision and wished her well. Biles later attributed her withdrawal to prioritizing her mental health and well-being, and earned a bronze medal in the balance beam upon her return. By putting herself first, Biles returned refreshed and recharged.

Naomi Osaka

Although tennis player Naomi Osaka did not pull out of the Olympics, her withdrawl from the French Open and Wimbledon gained attention. With the need to spend personal time with family and friends, Osaka penned a personal essay explaining that “it’s OK to not be OK,” — a statement most of us should embrace when necessary. Like Biles, Osaka’s courage to show vulnerability in the public eye is admirable. And with her status as the No. 2 ranked female player in the world, she has nothing to prove to anyone, but everything to prove to herself.

Allyson Felix

In her fifth Olympics, track and field sprinter Allyson Felix put a new name to Black Momma Magic. By running her fastest 400-meter race in four years, not only did Felix show up and show out as an athlete, she showed the world her strength as a mom, too. This is especially commendable after her contract ordeal with Nike following the announcement of her pregnancy. Since giving birth, Felix has emerged as an advocate for moms, specifically Black women, and aims to end the maternal health crisis through her partnership with a multi-year maternal health program, Better Starts For All. And as an inspiration on and off the track, Felix holds it down for the women who are told they must choose between motherhood and career.

Raven Saunders

Aside from the gaze she attracted for her dyed hair and superhero masks, U.S. shot putter Raven Saunders gained more attention with her inclusive “X” demonstration. In a tribute to Black and LGBTQ communities, Saunders acknowledged “the intersection of where all people who are oppressed meet” by making an “X” gesture with her arms above her head.  Although the IOC’s rule 50 permits freedom of expression, it still bans athletes from taking protest actions while performing or standing on the podium. Because of this, Saunders was almost subjected to punishment, until news broke about a recent family tragedy. Despite potential discipline, Saunders persisted with her demonstration and was unapologetic while doing so. Her inspiration? She wanted to live in her truth and inspire the younger generation to do the same. 

Gwen Berry

U.S. hammer thrower Gwen Berry raised her clenched fist on the Olympic podium, denouncing the rule banning podium protests. Despite jeopardizing her career, Berry has always been an advocate for change and social justice. In 2019, she lost sponsorships following a similar protest during the Pan American Games in Peru, in which she received a 12-month probation from the U.S. Olympic and Paralympic Committee. But that did not stop her. In her words, “I won’t shut up. And I will keep on bringing acknowledgment and awareness to the things that are going on in our communities” — a reminder to never stop fighting for what you believe in. 

In a world where societal pressures make it easy to back down, these athletes did what was best for them — and what they thought would make the world a better place — regardless of backlash, judgment and retribution. In true Olympian spirit, they are warriors on and off the field. 

Sierra Allen is an Atlanta-based writer who considers herself a creative by nature and storyteller at heart. As a Black culture enthusiast, she writes with purpose and passion while highlighting local and national community-centered topics.

ADVERTISEMENT

ChoCho Chen Launches Summer Swimsuit Collection

ChoCho Chen the Fashion House has launched their summer swimsuit collection. The bright and bold designs bring artistry to the body. Stephanie-Blair Watts founder and designer of ChoCho Chen says, “the artwork is the main focus.”

ChoCho Chen offers three collections for the swimsuit line. She created the Butterfly Effect, a black and white design with curves, flows and moving lines. For those who want color she created a floral abstract design for a one and two piece. The Kenya design offers bold lines complemented with scarlet and white accents.

Watts is free in her creative process, she says, “I take the pen and let my hand move. It’s a centering process and an indicator of how I feel.” 

ChoCho Chen offers home decor and fashions including t-shirts, shorts, socks, masks, swimwear, leggings, sweat pants, throws, pillows, shower curtains, bathroom mats, travel bags, hoodies, sweat pants, coffee mugs and soon to be more. She says, “I want to communicate my designs on as many things through as many mediums.” 

Stephanie-Blair Watts

Born and raised in Detroit, Watts fell in love with art at a young age. Growing up, schooling and sports had her focus until she came back to Detroit after graduating from Coppin State University with a degree in Marketing. She hit the ground running and began styling people she met on the street for photoshoots. She created a lookbook titled Rock City Lookbook that had a yearly print copy. Watts also began practicing her skills in drawing, painting, photography, graphic designs, video editing, art curating and more.

Watts hand picks each fabric in her collections and ChoCho Chen carries sizes extra small through 3X. Soon she will offer plus sized items.

Each collection is unisex as she wanted to create things for both men and women to see themselves in. She says, “ChoCho Chen is a way for my artwork to be displayed on fabric. With each product it’s a way to view art in many ways.”

Watts is planning an art showcase for the Winter 2021 featuring her existing and new collections. The show will feature home decor layouts and will style fashions how she imagines them to be worn. 

ADVERTISEMENT

Why I’m a Kanye fan but womanist first

With “Donda,”  Kanye West’s 10th studio album, set to drop next week, the fan and media frenzy is heading off the charts, with wild speculation, retrospectives, collaborator interviews and conversations covering every possible angle. Missing from most of those discussions? West’s recent history and questionable antics. Not too long ago, he labeled slavery as a choice, publicly allied with Donald Trump and joyfully endorsed the right wing-aligned MAGA hat. If those stances hurt his career or reputation, it’s hard to see now. 

While there’s a large spectrum of those who approve and disapprove of Mr. West, in some corners of Twitter, his resurgence was the catalyst for a conversation regarding the misogynistic patterns of “cancel culture” in entertainment. More specifically, it raised the question, “Why do we always forgive and believe Black men but not Black women?”

While I’m a Kanye fan myself, I’m a Black woman first and I will never ignore the uneven distribution of hate female entertainers receive.

For context, when singer-songwriter Chrisette Michele performed at Donald Trump’s inaugural ball in 2017, she was publicly ostracized and still is today. She hoped to “be a bridge” between Donald Trump and the Black community; instead, it completely derailed her career. Kanye’s? Not so much.

While both entertainers were connected to Donald Trump and acted in ways the Black community didn’t support, only one was able to bounce back, just one example of the way Black women in the public eye are given more scrutiny and less leeway.

In 2010, Moya Bailey, a Black queer feminist, scholar, writer and activist coined the term misogynoir. While the term misogyny encompasses the idea of having a dislike or ingrained prejudice against women, the suffix noir combines race and gender, and acknowledges the bias against Black women specifically. Though it’s visible in society as a whole, misogynoir gets magnified in entertainment.

One of the most infamous dichotomies dates back to 2004, when singers Janet Jackson and Justin Timberlake’s Superbowl XXXVI performance broke news after an intended costume reveal went awry, resulting in the infamous “wardrobe malfunction” on live television. Although both musicians were involved, Janet Jackson was the sole recipient of blame and criticism as her career plateaued and Justin Timberlake’s increasingly climbed.  

In a more recent case, female rapper Meg Thee Stallion underwent public scrutiny following the alleged shooting between herself and rapper Tory Lanez in 2020. The altercation between the two artists quickly grew into a Twitter debate between Black men and women, arguably showing the lack of protection and grace extended to Black women.

While misogynoir is not new, the digital age allows for more visible dialogue surrounding it. And often, these conversations highlight the unfair treatment Black women face compared to their male counterparts, which leads to another question: “Does cancel culture really exist, when cancellation is applied so unevenly?”

In my opinion, this answer isn’t black and white but is full of cognitive dissonance, ambiguity and nebulous rhetoric. Where is the line between accountability and grace? Is grace even ours to give? Should we separate the artist from the person or is that situational? If someone is wrong personally, does that mean they’re wrong professionally? Who are we to even deem something as wrong? Do I cancel someone because you cancel them and if not, am I a bad person?

I don’t believe cancel culture exists because it shouldn’t be considered culture but a personal choice instead. One thing I do believe in, however, is being fair and keeping the same energy all around, especially in regards to the protection, forgiveness and acceptance of Black women. 

As stated before, I’m a Kanye fan, but I’m an even bigger fan of Black women. So, I’ll give “Donda” a listen — but I’ll keep Chrisette Michele’s soulful songs on my playlist, too.  

Sierra Allen is an Atlanta-based writer who considers herself a creative by nature and storyteller at heart. As a Black culture enthusiast, she writes with purpose and passion while highlighting local and national community-centered topics.

ADVERTISEMENT

The King of Beers meets the King of New York

The King of Beers is celebrating the King of New York and the late rapper’s legacy with The Notorious B.I.G. Tall Boy Budweiser cans and collectible merchandise. The limited-edition cans created in partnership with the Christopher Wallace Estate will be available in his hometown of New York City exclusively, starting July 14 while supplies last.

The can design was inspired by Biggie’s legendary career that landed him the title of G.O.A.T. in the rap community. Unique design elements include a hand drawn sketch of Christopher “The Notorious B.I.G.” Wallace and phrases including “Brooklyn’s Finest,” “King of New York” and the Brooklyn skyline to pay homage to the late rapper’s hometown. The brand also replaced the Budweiser creed on the can with lyrics from Biggie’s Ready To Die album hit, “Unbelievable,” “Live from Bedford-Stuyvesant the livest one, Representin BK to the fullest.”

Limited-edition collectible merchandise, which dropped today on ShopBeerGear.com, features t-shirts, sweatshirts and sweatpants emblazoned with recognizable Biggie symbols entwined with Budweiser’s iconic bowtie and package label. One standout piece from the collection features the portrait of Biggie with his staple crown within the Budweiser bowtie to commemorate this partnership.

“I am honored to know that a brand such as Budweiser wanted to celebrate my son in this way,” says Biggie’s mother Voletta Wallace. “Christopher’s legacy and brand value is extremely important to myself and the family and memorializing him on the can of an iconic beer brand as “Budweiser” is something I believe he would be happy with.”

In addition to the collectible cans and merchandise, Budweiser is hosting a live concert in Brooklyn’s Prospect Park Bandshell on August 19th to celebrate the life and music of the late rapper. The DJ driven show will feature the past, present and future of Brooklyn artists, including collaborators of Biggie and artists influenced by the rapper. Featured artists include Busta Rhymes, Lil Kim, The Lox, DJ Steph Cakes and more. The concert is free and open to the public 21+. To reserve a ticket, visit http://www.us.budweiser.com/CelebrateBiggie.

The Biggie Budweiser Tall Boy cans will be available at the concert in addition to other local Brooklyn food and beverage vendors. All guests 21+ will get one complimentary Budweiser beers with entry. Guests will also have the opportunity to purchase the Budweiser x Biggie collectible merchandise at a pop-up at the concert.

“The Notorious B.I.G. Budweiser Tall Boy can is the most iconic can collaboration we’ve done to date,” said Daniel Blake, Group VP Marketing, Budweiser & Value at Anheuser-Busch. “We’re grateful for the collaboration with the Christopher Wallace Estate and Biggie’s mother Voletta Wallace to bring this special can to life so that we can celebrate the legacy of the greatest rapper of all time.”

Budweiser x Biggie Tall Boy cans can be purchased in all stores that carry Budweiser within the New York City area starting today. Collectible merchandise is available on ShopBeerGear.com for those 21+ while supplies last. For more information, visit us.budweiser.com/CelebrateBiggie.

ADVERTISEMENT

Taste the Rainbow Drink Recipe | BLAC® Happy Hour

Join us for BLAC Happy Hour as Jennifer of Perfect10 Mixology shows us how to make a layered shooter. You don’t want to miss this one. Grab a friend, we’ve made enough to share. Let’s us know how you enjoyed the recipe by sharing your version. Cheers!

ADVERTISEMENT

In Style: Pucker Up

Black fashion

Lemlem

Lena Ballet One Piece • $275

Lem Lem

Brandon Blackwood

Mini Kendrick Trunk • $165

Brandon Blackwood

Christopher John Rogers

Strapless Twill Gown • $2,298 (Net-a-Porter) 

Christopher John Rogers

The Lip Bar

City Girl Matte Lipstick • $13

The Lip Bar

Off White 

Burrow-38 Tote Bag • $1,840

Off White

Fe Noel

Spice Sheer Pants • $428

Fe Noel

Andrea Iyamah

Sari One Piece • $140

Andrea Iyamah

Petit Kouraj

Mini Fringe Prism • $375

Petit Kouraj

Andrea Iyamah

Lona Dress • $290

Andrea Iyamah

Coco and Breezy

PRAM-103 • $325

Coco and Breezy

Brandon Blackwood 

Kuei Bag • $165

Brandon Blackwood

Christopher John Rogers

Crystal-embellished Crepe Pants • $1,498 (Net-a-Porter) 

Christopher John Rogers
ADVERTISEMENT

Watermelon-Forward Recipes for Summer

watermelon kabobs

Grilled Watermelon and Pork Kabobs

watermelon kebobs

6 tablespoons brown sugar

6 tablespoons soy sauce

6 tablespoons diced red onion

3 garlic cloves, minced

3 tablespoons lemon juice

1 tablespoon olive oil

¼ teaspoon ground thyme

Dash of pepper to taste

1 pound boned, lean pork chop, cut into 1-inch cubes (approximately 38 to 40 pieces)

32 cubes watermelon (1 inch)

16-24 zucchini rounds (1/2 inch)

16 pineapple chunks (1 inch), fresh or canned

24 yellow and/or orange peppers

Cooking spray

1. Combine sugar, soy sauce, onion, garlic, lemon juice, olive oil, thyme and pepper in a mixing bowl. Pour into a zip-close bag and add pork pieces. Seal bag, mix thoroughly and refrigerate for at least 1 hour, turning bag on occasion. 

2. Remove pork from bag and reserve marinade. Thread 5 pork pieces, 4 watermelon cubes, 2 to 3 zucchini rounds, 2 pineapple chunks and 3 peppers on each of the 8 skewers, alternating the order. 

3. Heat the grill to medium-high. 

4. Spray cooking surface and place kebobs on grill. Grill for 12 to 15 minutes, depending on grill heat, or until done, turning and basting frequently with reserved marinade. Garnish with sesame seeds and chunks of watermelon.

Avocado Toast with Watermelon 

avocado toast

4 tablespoons mashed avocado

½ teaspoon lemon juice

2 slices whole grain bread, toasted

4 tablespoons diced watermelon

2 tablespoons feta cheese, crumbled

2 teaspoons chopped fresh mint

½ teaspoon lemon zest

1. Mix mashed avocado with lemon juice. 

2. Spread half the avocado mix on each slice of the toasted bread, top with half of the watermelon and cheese, then sprinkle with half of the mint leaves and lemon zest.

Watermelon Gazpacho 

5 cups chopped watermelon

½ cup chopped yellow onion

½ cup chopped green peppers

½ teaspoon salt

¼ teaspoon pepper

1 teaspoon cumin

½ cup chopped cilantro

2 teaspoons chopped jalapeno

1 tablespoon lime juice

¼ teaspoon chili powder

1 cup finely chopped watermelon, reserved for garnish

½-1 cup diced avocado for garnish
(optional)

1. Puree the first 10 ingredients in a blender until smooth. Adjust the seasonings as needed. 

2. Chill in the fridge for at least 1 hour. 

3. Stir in the finely chopped watermelon and avocado at serving time.

Watermelon Coconut Margarita 

2 cups seeded watermelon chunks

2 ounces coconut flavored rum

½ cup shredded coconut

Juice from 1 fresh lime

1 cup ice

Sugar to rim glass (optional)

1. Place all ingredients in a blender and blend until smooth. 

2. Pour into a sugar-rimmed glass.

Watermelon Muffin Crumble Parfait 

2 cups chopped watermelon (well drained)

4 cups small cubes of watermelon

3 small bran muffins

½ teaspoon ground cinnamon

2 cups fat free vanilla flavored yogurt

½ cup toasted sliced almonds

½ cup dried cranberries

½ cup honey

1. Crumble the muffins and divide among the bottom of four 12-ounce glasses, reserving about ¾ cup of the crumble. 

2. Mix the cinnamon and yogurt, and divide half of it over the crumbled muffin in the glass. 

3. Divide the watermelon and dried cranberries over the yogurt in the glasses. 

4. Divide the remaining yogurt over the watermelon and dried cranberries. 

5. Divide the remaining muffin crumble over the glasses and top with honey. 

6. Garnish with the toasted sliced almonds and top with watermelon cubes.

All recipes courtesy of watermelon.org (That’s right! There’s a whole website dedicated to watermelon).

ADVERTISEMENT

Exploring Polyamory and Non-Monogamous Relationships

polyamory

It’s interesting. We don’t cap our platonic relationships at just one, right? We don’t go hunting for our one true friend match, and then, when we find that person, forsake all others for them and ask that our friend do the same. Chances are, you’ve got many friends, each nourishing you in different ways: the afternoon movie buddy who’s up on all the off-kilter, indie flicks; the friend who’s always down for a few drinks and a good time; your go-to for a good heart-to-heart. Sure, some are probably closer to you than others, but point is: We don’t limit ourselves to one nonromantic connection. Why then, with romantic relationships, is the default move to pair up and close off?

Discourse around the inevitability of the “relationship escalator” comes up often in polyamory and non-monogamous circles. It’s the idea that in traditional, monogamous relationships, you hop on the escalator, and then, well … you’re on it. It’s taking you and this one other person up and up at a steady pace, and as you ascend, you hit the milestones: cohabitation, engagement, marriage, kids. And to change direction or, God forbid, get off, would cause quite the disruption; some people might even get kicked in the face.

Polyamory practicing people tend to adhere to philosophies around freedom, autonomy and a greater sense of control over self. They allow space to explore connections and for relationships to progress and evolve in ways that are, perhaps, more organic. While there are typically still rules involved, they’re house rules. That’s not to say that they’re aren’t monogamous couples also shucking societal standards for a design that’s unique to them.  

Before we go any further, it’s important to understand what polyamory actually is, because there are plenty of misconceptions. First: Polyamory is not swinging, where a couple goes to a sex party, perhaps, looking to hook up with (usually) random people. Second: Polyamory is not the same as polygamy, where a man (usually) has multiple wives. Third: Polyamory is not the same as an open relationship, where one or both partners in an otherwise committed twosome have a hall pass of sorts, which allows them to have sex with other people under certain circumstances.

Rather, poly folks are often after the emotional connection and intimacy – they’re just open to getting it from multiple people. Sure, sex is often involved, as it is in many romantic relationships, but it’s not the main motivator. And within polyamory exists many different shapes and formations. The word “polyamory” is a mashup of “poly,” from the Greek word meaning “more than one,” and “amor,” the Latin word for “love.” And is there ever such a thing as too much love? After all, Dionne Warwick told us it’s the only thing that there’s just too little of.

An Emerging Alternative

These ideas aren’t new, but polyamory does seem to be gaining visibility in recent years and inviting spirited conversation, particularly around what it means to be poly and a person of color. Red Table Talk – The Facebook Watch series from the Pinkett-Smith family – released an episode on multiple partners a couple years back, which garnered over 4 million views. They summoned a “throuple” (you may hear it called a “triad” in poly circles) to the table for a conversation, and we learned that Willow Smith’s ideal relationship arrangement would wedge her right between a man and a woman.

More recently, the first feature film from queer and Asian director Marion Hill, Ma Belle, Ma Beauty, explores polyamory in the South of France and features a Black, female lead as one in a group of reunited former partners. The film premiered at Sundance earlier this year to high praise, nabbing the Audience Award in the NEXT category. It hits American theaters on Aug. 20.

Cincinnati carpenter and handyman Reggie Parker has been practicing polyamory since around 2015. Before then, he says, “I would say I was non-monogamous, unethically. I used to listen to my uncles a lot. And the formula that I saw that they had with their women was, you know, they would just have a woman or a wife and have someone else without them knowing – and that was kind of how it went. So, it took me until I was in my adulthood to figure out, OK, there’s a term for unethical monogamy, and then polyamory. OK, so this is how you’re supposed to do it. You know what I mean? Everyone is supposed to be in the know.” 

Parker belonged to a BDSM-kink community, and he says it was that network that introduced him to the idea of polyamory. “And that tends to happen when you are involved in those arenas of life, alternative lifestyle, they all kind of co-mingle,” he says. “I kept seeing these people in my circle, and by having conversations and meeting their poly families, I’m like, ‘OK, so first of all: You’re Black, and you do this, and you’re open, and everyone is cool? Like, it blew my mind.” The 45-year-old says he learned how to be open and honest about what he wanted his life to look like, and, along the way, he gained the courage to stand firm in his convictions. “I’m an adult.”

A philosophy that’s commonplace in the polyamorous community is the idea of relationship anarchy. In short, the ideology says that no relationship (romantic or otherwise) should be bound by any rules not agreed upon by the parties involved. To be clear: Not all relationship anarchists are poly, and not all poly people are relationship anarchists. Though, some of the core principles overlap. As explained in a 2018 The Cut article, the core, shared tenets include being: non-hierarchical (not ranking romantic partner[s] as necessarily more important than friends); anti-prescriptionist (there are no built-in prescriptions about what a partnership must look like); and often, non-monogamous. 

“For me, what that looks like, in terms of relationship anarchy, is not having the assumption that one needs to be married, one needs to be monogamous, one needs to have some sort of definition at all on a particular relationship,” says psychologist J. Oni Saniyah, Ph.D., founder and director of Integrated Empowerment Group based in Ann Arbor. “There can be freedom and expansiveness to relate to people in ways that feel natural and organic, that honor the sovereignty of all the people involved.” 

Saniyah also recently founded Liberation Centered Healing, LLC. As a married, Black, queer woman who also practices polyamory, she says her work is meant to fill the gaps she says she saw with regard to practitioners who share her identities. At Integrated Empowerment Group, specifically, she says, “We really focus on integrated ways to address mental health, focusing on an intersectional feminist liberation perspective. And, so, we work with queer folks and BIPOC folks, both exploring non-monogamy and polyamory, and also people who are involved in kink or BDSM.”

Saniyah says, in her mind, the connection between polyamory and anarchy is strong. “In general, I’m very much a liberation-focused person. So, I’m interested in radical freedom, expansiveness and, like, bodily autonomy and agency, and the ability to intentionally choose the types of ways that I move through the world, including my relationships,” she says. “I’m like, fuck the system; it’s an act of resistance to me.”

A Complex Community

Poly-practicing or -interested people still have to wade through a sea of misconceptions and offensive, if not harmful, opinions. And if you’re Black or queer – or Black and queer – that’s an extra layer of gunk. Saniyah says most of her clients belong to the LGBTQ community, and about 60% are polyamorous or practicing some version of non-monogamy.

Clinical therapist and relationship specialist Ashley Turner says most of the clients she sees at her Farmington Hills-based private practice, Alleviate, LLC, are Black women, many in the polyamory info-gathering stage. “There are a lot of double, triple minorities,” Turner says. “This idea of being Black and practicing polyamory, it gets complex. Because you have a lot of people of color and Black people, specifically, who carry a very negative connotation about polyamory.” 

Let’s be real. Black folks aren’t likely to mince words, and we ain’t always the most open-minded. Turner looks ahead to a more progressive and graceful world, but, in the meantime, she says, “You’ve definitely got to have a big sense of security and confidence within yourself to be able to face whatever types of judgments you might get, whatever type of difficulties that you might face. It is going to be another battle.”

Saniyah says some of her clients are coming in to discuss issues directly related to polyamory, and others just happen to be poly but have other stuff to unpack. Some issues don’t discriminate by relationship type – like jealousy. Folks new to polyamory may step into it thinking that if they’ve chosen this relationship style, then jealousy is not allowed, or if it does seep in, that they’re expected to stuff it down and rise above.

Jealousy is a natural, human emotion. Yes, even among super woke, poly people. We’re products of our environments, and, resist as we might, we’re viewing the world through monogamy-colored glasses. When Parker from Cincinnati and I spoke in early June, he had recently separated from his primary partner of five years. The reason, according to him: jealousy, or more specifically, miscommunication around feelings of jealousy. For them, he says, the separation means they’re no longer primary partners, but they’re still involved. 

Parker says polyamory has been a great teacher on the subject of jealousy, despite the stumbles. “‘Jealousy’ is a very important word, especially when you’re talking about non-monogamy and polyamory,” Parker says. “Most people who are not in the know assume that, because you practice this lifestyle, there is not jealousy, that ‘jealousy’ is a dirty word. And one of things that I’ve probably learned in polyamory, one of the bigger things, is that that’s not the case. In fact, polyamory has taught me how to admit when I was jealous. That’s the first step: admitting that you feel a way, and then taking the processes to communicate that to your partner. Because that’s not something that I practiced in monogamy.” 

Being a Black, heterosexual man who grew up around other straight, Black men, the idea that feelings of jealousy are valid and normal, and, most importantly, OK to discuss with your partners, was a revelation for Parker. “There’s this idea in polyamory called ‘compersion,’ and what that means is that you’re happy for your person being happy with somebody else,” Turner says. That’s ideal, perhaps, but if you feel some type of way, it’s OK to lean into that. You may come out stronger on the other side. 

The lessons may sneak in unexpectedly, but what also attracts polyamorous folks to this lifestyle is a sense of community and the idea of a chosen family. It’s not unusual to hear of intertwined polycules (a community of non-monogamous people) buying a house together and cohabitating as a community, raising their children as a village.

Parker says, “One of the reasons that I decided that I wanted to be polyamorous is because I had a dream of having, like, a cooperative kind of living space, with not only my romantic partners, but people that I know that are like my adopted family,” Parker says. “I get that ideal, believe it or not, from my grandparents on both sides of my family. Naturally, they had a lot of kids, but, more importantly, they had adopted family who would always seem to be around, people who were not our family, but were ‘cousins.’ So, I grew up wanting to be around a lot of people that I decided was my family.” 

Solo Polyamory: Someone has multiple intimate relationships, but has an independent or single lifestyle. They may not live with partners, share finances or have a desire to reach traditional milestones or intertwine lives.

Anchor Partner: A long-standing and, typically, logistically entangled romantic relationship. This person may also be called a “primary partner” or “nesting partner.”

Metamour: Sometimes shortened to “meta,” this person is a partner’s partner, with whom you are not romantically involved.

Hinge Partner: This is the mutual partner of two metamours who are not involved with each other.  

Polycule: A network of interconnected non-monogamous people or relationships.

Parallel Polyamory: Multiple relationships run in parallel but do not entwine or overlap.

Kitchen Table Polyamory: In this situation, members of the polycule are cozy enough with one another to hang out or break bread. 

Garden Party Polyamory: Metamours are comfortable enough with each other to co-mingle occasionally at, say, a partner’s birthday party, but they’re not exactly friends.

There’s no way we could cover it all. Here, psychologist J. On̄i Saniyah, Ph.D. shares her favorite books on polyamory and non-monogamy.

Polysecure: Attachment, Trauma and Consensual Nonmonogamy by Jessica Fern

Love’s Not Color Blind: Race and Representation in Polyamorous and Other Alternative Communities by Kevin A. Patterson

Opening Up: A Guide to Creating and Sustaining Open Relationships by Tristan Taormino

Ethical Slut by Dossie Easton and Janet Hardy

More Than Two: A Practical Guide to Ethical Polyamory by Eve Rickert and Franklin Veaux 

Battling The 8-Armed Octopus of Jealousy (workbook) by Reid Mihalko

ADVERTISEMENT
ADVERTISEMENT
ADVERTISEMENT

Latest Posts

ADVERTISEMENT
X
X